Editorial

Bignami Veltri Jazz Ensemble con «Non-Places»: tra memoria e transitorietà, il jazz come riflessione sui non-luoghi (GleAM Records, 2026)

«Non-Places» conforma un progetto in cui riflessione teorica, cura della forma e ricerca sul colore del suono trovano una sintesi...

Alberto Olivieri con «What Became of the Light»: fisionomia dell’Hammond d’avanguardia e rigore costruttivo (Caligola Records, 2026)

«What Became of the Light» si segnala in definitiva come una tra le testimonianze più felici della recente produzione jazzistica...

“Thelonious in Action”: Monk, Oblique Time, and the Art of Deviation (Riverside Records, 1958)

The ambient noise of the venue, the audience's reactions, the quartet's fluidity, and the sheer power of the performances all converge to convey...

“Blue Prelude”: Marilena Paradisi and Natalino Marchetti: The Voice, the Bellows, and the Art of Variation (Losen Records, 2026)

Their encounter yields a form of chamber jazz in which complexity remains subservient to the listening experience and...

Profile of Rahsaan Roland Kirk: “Being able to play three saxophones with two hands, I should be able to play one saxophone with one hand”

The technical mastery demonstrated by Roland Kirk answered to a rigorous structural logic, aimed at transcending the physical limits of the...

“Domino”: Roland Kirk’s Polyphonic Encyclopedism in the Wake of the 1960s Avant-Garde

The sonic aura enveloping the entire work eludes the conventional categories of popularization, offering the musicologist a stratified text wherein...

“Awakenings” by Jordan Corda: Jazz Idiom between Geographical Dimension and Interior Inquiry (A.MA Records, 2026)

“Awakenings” presents itself as a project in which jazz composition, Sardinian cultural memory, and the experience of geographical mobility converge...

Dangerous Encounters Trio with «Milonga do mar»: Three Voices, Plural Languages, a Singular Quest (Dodicilune, 2026)

«Milonga do mar» documents the inception of a recording journey that entrusts the plurality of musical origins and chamber dialectics...

Freddie Hubbard: Beyond the Ardour of Hard Bop, the Constructive Rigour and Acoustic Glazes of “The Rose Tattoo” (Baystate, 1983)

Far from constituting a mere exercise in nostalgia, the recording for the Baystate label demonstrates a remarkable structural rigor, wherein every progression...

Jimmy Giuffre’s “Free Fall”: The Dissolution of Meter and the Pure Physiognomy of Sound (Columbia, 1963)

The absence of a fixed tonal center allows the trio to achieve a consummate synthesis between the extemporaneity of the jazz gesture and...

The Polygon of Fusion: Eclecticism and Percussive Dialectics in Tony Williams's «The Joy of Flying» (Columbia, 1979)

«The Joy of Flying» thus stands as an encyclopedic compendium of American instrumental modernism, a work in which the drums...

«Sonny Stitt Plays Arrangements from the Pen of Quincy Jones»: Evolution of Orchestral Dynamics (Roost Records, 1956)

The two sessions document a conception in which individual improvisation and collective composition preserve a mutual independence, with Quincy...

«La danza dei cervelli rotti» by the Matteo Addabbo Organ Trio: Fifteen Years Together, Between Irony and Rigor (Dodicilune, 2026)

Beneath the linguistic playfulness lies a precise awareness of the Organ Trio's accumulated experience, the necessity of preserving authentic interaction, and...

Mike Gibbs & Gary Burton with "In The Public Interest": The Orchestra as a Breeding Ground Rather Than a Mere Volume Multiplier (Polydor, 1974)

The answer materializes in the ensemble's timbral configuration, in the complexity of the expressive texture, and above all in the relationship between the writing of...

Sonny Rollins’ “No Problem”: The Tenor and the Slanted Light of the 1980s (Milestone Records, 1981)

Rollins seeks neither the formal vertigo nor the conceptual austerity of other eras in his career. He prefers a daily music, imbued with...

The Geometry of the Fragment and the Aesthetics of Silence. Paul Bley and Jesper Lundgaard: The Speculative Abstraction of the Extemporaneous Gesture in “Live” (SteepleChase, 1988)

The Canadian pianist, assisted by Jesper Lundgaard on double bass, shapes a musical design rooted in the deconstruction of thematic material, offering...

Tommaso Genovesi with "Guardando oltre": Reality Viewed from Another Perspective (Caligola Records, 2026)

“Guardando oltre” thus assumes the character of an open-ended inquiry, wherein jazz becomes a practice of listening and questioning,...

"Disubbidire sempre" by Fausto Ferraiuolo / Gabriele Mirabassi: The Art of Non-Conformity (Dodicilune, 2026)

True disobedience does not lie in denying a rule, but in refusing to allow any rule to become definitive. Ferraiuolo and...

"Miniatures for Solo Vibraphone" by Vitantonio Gasparro: A Solitary Flight via Metallophone

Rather than declaring an aesthetic affiliation, Gasparro prefers to engage with the diverse possibilities of musical language. It is precisely this willingness to avoid establishing...

A Profile of Steve Swallow: Counterpuntal Textures and Chamber Abstraction in Modern Jazz

The syntactic balance of his insights, wherein complexity never abdicates melodic grace, continues to serve as an invaluable proving ground...

Chick Corea at Umbria Jazz: A Long-Standing Alliance with the Nonconformist Genius

The celebration of the fortieth anniversary of Umbria Jazz in the summer of 2013 found its focal point in an event conceived as an exclusive...

Extra Sauce with “The Untold Story Of”: A Grammar of Groove Beyond the Virtual (Emme Record Label, 2026)

The project's most accomplished dimension arises precisely from this ability to avoid a mere catalogue effect, bringing disparate musical languages into dialogue without...

Soundscapes for Invisible Screens: Compositional Synthesis in Adriano Clemente's "Kaleidoscope"

This discographical journey establishes itself as a mature reflection on contemporary composition, in which the reference to an imaginary cinema ceases to be...

Year of grace 1987: Sting and Gil Evans at Umbria Jazz, against the backdrop of Miles Davis

The critical reception of the Perugia event by the national and international press revealed a profound hermeneutic divide, polarized between orthodoxy...

Enrico Rava's "L’Opera va": The Harmonic Redefinition of Melodrama (Label Bleu, 1993)

The corpus of selected arias demonstrates how Rava operated not through the mere superimposition of idioms, but via a conscious translation. // by...

Gábor Szabó: Timbral Geometries and Balkan Drones, The Modal Deviation from African American Orthodoxy

European criticism, particularly from the German and British spheres, has consistently attempted to redress the oversight of American reviewers...

Giorgio Azzolini's "Crucial Moment" Feat. Enrico Rava: A Foundational Chapter of Italian Jazz

Contemporary listening ultimately allows us to recognize in "Crucial Moment" a particularly significant testament to the modernization of Italian jazz. The recording...

Satoyama’s "Concrete Islands frammenti per metropoli sommerse": Urban Soundscapes and Concrete Archipelagos (Auand, 2026)

Far from being merely another chapter in Satoyama’s discography, "Concrete Islands" offers a profound reflection on the capacity of a work of art to...

Electroacoustic Frameworks and Collective Conduction: The Formal Syncretism of Ensemble Infini’s "Volume"

The album stands not only as a phonographic document of the highest artistic caliber, but also as a vital theoretical manifesto on...

The Passing of Francesco Guccini, the "Locomotive" of Italian Songwriting: Sixty Years Spanning Poetry, Literature, and Protest

Reducing Guccini to the role of a purely "political" singer-songwriter would diminish the true scope of his oeuvre. Protest was merely one facet of...

Beyond the Third Stream: The Structural Synthesis of Jazz and Cultivated Avant-Garde in David Occhipinti’s "Looking Glass"

A concept of profound intellectual inquiry, wherein David Occhipinti demonstrates a masterful command of twentieth-century avant-garde idioms and...

Miles Davis: Relationships with Musicians, Audience, Keith Jarrett, and The Köln Concert Born of a Davisian Suggestion

Miles Davis exercised leadership through subtraction rather than addition. He spoke sparingly, explained even less, relying instead on presence, posture, and...

Francesco Branciamore with "Old & New Dreams": When the Theme Becomes Narrative. The Piano as a Space for Musical Thought (Caligola Records, 2026)

The album firmly establishes the profile of a musician primarily devoted to the quality of musical thought, formal coherence, and the exploration of...

Paolo Belli's Situation and His Withdrawal from the Public Scene Indirectly Impacts the Twelve Musicians of His Big Band, Leaving Them Out of Work

Abruptly stripped of their contracted engagements for the summer season, the orchestra members have found themselves excluded from revenue streams...

Giordano Grossi's “In the Name of the Father, Daughters & Vino Bianco”: Between Cultural Roots and Contemporary Idiom (AlfaMusic, 2026)

“In the Name of the Father, Daughters & Vino Bianco” reveals a composer acutely aware of the relationship between personal experience and...

Enrico Intra's “In-Tra in Duo”: The Authority of Doubt Beyond the Cage of Language (Alfa Music, 2026)

The project's intrinsic worth unfolds precisely in the paradoxical mastery of the unexpected, capable of transmuting silence and deconstruction into...

Shorterian Regeneration, Structural Subtraction, and Plastic Silence in Gigi Sella & Paolo Vianello's “Infant Eyes” (Caligola Records, 2026)

The coherence running through the entire work demonstrates how improvisational practice can attain pinnacles of absolute syntactic poise without sacrificing...

Luc Mabal's “Mali Bolivia”: Musical Convergences Between Africa and Amerindian Cultures (Gutenberg Music, 2026)

Luc Mabal offers a musical meditation that transcends the mere intersection of distant repertoires, suggesting a different conceptualisation of...

La trasmigrazione del gesto e l’estetica della sottrazione in «¡Gracia!» di Luca Falomi, Anaïs Drago e Fausto Beccalossi (Artesuono, 2026)

Il superamento della dicotomia tra pagina scritta e improvvisazione si risolve in una rigorosa condotta contrappuntistica, che colloca «¡Gracia!» ben...

«Voices of Human Consciousness» di Dorota Piotrowska & Sound Circle: tra equilibrio sintattico delle differenze e rigore compositivo (Inner Circle Music, 2026)

«Voices of Human Consciousness» si sottrae alle lusinghe di un sincretismo superficiale, proponendo piuttosto una riflessione rigorosa sull'incontro tra alterità...

«Zec» di Claudio Cojaniz & Antonino Puliafito: dialettica cameristica, elegie e tensioni instabili (Caligola Records, 2026)

Il valore di «Zec» va individuato nella capacità di ridefinire lo spazio cameristico quale luogo di sottrazione e di radicale...

Il concerto di Frankie Hi-Nrg MC, a Pietrafitta-Perugia, una pagina di storia del rap italiano riletta per sola voce e batteria

L’appuntamento di Pietrafitta, inserito nel programma di Moon In June, manifestazione itinerante, diretta da Patrizia Marcagnani, conferma così la statura...

«Afrikalia» di Roberto Zechini e Mike Rossi: la coerenza formale del nomadismo sonoro tra rigore cameristico e pulsione poliritmica (Notami Jazz, 2026)

«Afrikalia» si delinea come un concept privo di compiacimenti accademici fini a se stessi, un saggio di musicologia applicata in...

«The Lost Drummer» di Bob Salmieri Duets, Trios & Quartets: estetica della sottrazione e rigore espressivo

La rinuncia alla percussione convenzionale non si traduce in un vuoto, ma nell'istituzione di un nuovo rigore esecutivo, dove la...

L’architettura dell’instabile: il dialogo sinfonico-jazzistico nel laboratorio di «Freedom Trail» (Cam Jazz, 2026)

Reis, Demuth e Wiltgen, con la Luxembourg Philharmonic diretta da Vince Mendoza e la partecipazione di Joshua Redman, lontani dal...

Kat Eaton con «What Happens Now»: la persistenza della nota blu tra estetica afroamericana e scrittura britannica

Allontanandosi dalle tendenze effimere del mercato contemporaneo, la Eaton definisce un proprio personale canone interpretativo che riabilita l'esecuzione dal vivo...

La declinazione jazzistica del songbook di Bacharach nell’interpretazione di Antonella Vitale (Velut Luna, 2026)

«The Songs of Burt Bacharach» ribadisce come la trama melodica del maestro necessiti, per rivelare la propria intima essenza, di...

«Political Issues» dell’Electric Sheep Collective: esegesi di un’architettura timbrica tra jazz d’avanguardia e istanze di resistenza civile (Fonterossa Records, 2026)

Electric Sheep Collective non soltanto conferma la solidità del proprio sodalizio teorico, ma traccia altresì una via rigorosa per il...

Lorenzo Iorio con «Tuning The Life»: il suono dell’intesa, l’armonia delle differenze (Filibusta Records, 2026)

«Tuning The Life» evita accuratamente qualsiasi adesione a modelli precostituiti. Il quartetto preferisce elaborare un proprio ordine espressivo, fondato sull'ascolto,...

«Histoire D’un Enfant» di Andrea Penna: un viaggio tra jazz, world music e fantasia (Luminol Records, 2026)

Un lavoro ricco di vitalità, sorretto da una scrittura limpida, da un saldo equilibrio formale e da una costante attenzione...

«The Box» di Stefano Onorati & Walter Paoli: il valore dell’incompiuto ritrovato (Caligola Records, 2026)

«The Box» conserva una sorprendente attualità. Gran parte del merito appartiene alla lungimiranza di due interpreti che avevano già intuito...

Geometrie della rarefazione nella penombra newyorkese: «Secret Garden» di Bracco, Poeti e Sciommeri (A.MA Records, 2026)

«Secret Garden» sancisce una testimonianza significativa della vitalità del jazz italiano contemporaneo, incline ad assimilare modelli storici differenti e di...

«Non più bambine» di Davide Di Chio /Andrea Gallo: la forza narrativa del minimalismo (Abeat Records, 2026)

La scrittura privilegia la sottrazione rispetto all'accumulo, lasciando respirare il materiale tematico e affidando al rapporto fra consonanza, risonanza e...

Dopo il concerto alla Sala Podiani per Umbria Jazz, Gabriele Mirabassi racconta di «Verso Sud» all’Egea Store: ore 19.00

Domenica 5 luglio, ore 19.00, dopo il concerto alla Sala Podiani per Umbria Jazz, Gabriele racconterà il suo viaggio dell'anima...

Perigeo’s reunion at Umbria Jazz: on July 4, 2026, at the Arena Santa Giuliana in Perugia. A profile of the legendary ensemble

Beginning in the early 1970s, Perigeo found fertile ground for a music that engaged in dialogue with...